Reframe Every Clip, Beats That Land, Faster Timeline
Three things got sharper this week. Reframing now carries across every clip you cut, music edits land on the beat, and the timeline stays smooth as your project grows.
One reframe for every clip
Cut a long recording into separate clips, a podcast into highlights or an interview into moments, and reframing now applies to all of them in a single pass and a single undo. Cardboard also stays on the right person through shot changes, instead of drifting to whoever just stepped out of frame.
Beats you can edit to
Beat-synced edits land where you expect them. Cardboard tracks a song's real beat grid instead of guessing from drum hits, so cuts and effects sit on the beat, even through quieter stretches with no percussion. It reads up to 20 minutes of a track too, so longer songs stay in sync the whole way.
A faster timeline
The timeline does far less work while you scroll, play, and edit, so it stays responsive on bigger projects. It also hands memory back during exports instead of holding onto it, so long sessions stay light.
Cut it however you like. Cardboard keeps up.


